![]() ![]() I’m guessing that this series was intended for digital distribution, because most pages have three panel tiers consisting of either one or two panels each. Again, this issue takes less than five minutes to read, and it makes no sense. Constanta confronts his handler and discovers that a certain Major Green has been manipulating them both, and then someone blows up the handler’s office with a rocket launcher.ĬARVER: A PARIS STORY #4 (Z2, 2016) – “Who Am I?”, Chris Hunt. Fiends of the Eastern Front: “1963 Part 7,” Ian Edginton, Tiernen Trevallion. A monologue by an immortal, time-traveling lab rat. Future Shocks: “Relict,” Honor Vincent, Lee Milmore. The old union boss, Bardot, is assaulted in his house, and the protagonist is interrogated by Habitat Security. Brink: “Mercury Retrograde Part 10,” Dan Abnett, I.N.J. This series has some excellent black and white art. Hope: “In the Shadows Reel 1 Part 4,” Guy Adams, Jimmy Broxton. Chopra explains that Dredd did kill his own clone, but only because the clone was a Sov spy. The priest talks with Chopra, the last survivor of Dredd’s team from the flashback sequence. I couldn’t see how this story was related to MTMTE’s story arc, and it felt like a waste of an issue.Ģ000 AD #2279 (Rebellion, 2022) – Dredd: “The Citadel 10,” John Wagner, Dan Cornwell. We are now on Luna 1, where some other characters are trying to revive an army of long-dead giant robots called Titans. Instead, this issue shifts to an entirely different setting and cast of characters. This issue does not follow up on the cliffhanger from last issue, where Necroworld blew up. TRANSFORMERS: MORE THAN MEETS THE EYE #56 (IDW, 2016) – “Ten to Midnight,” James Roberts, Priscilla Tramontano. This comic took literally about one minute to read, and I couldn’t understand it at all. I ordered this because the earlier issues of this series had Paul Pope’s name on them. CARVER: A PARIS STORY 5 (Z2, 2016) – “I Am…”, Chris Hunt. ![]()
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